A bejewelled history of Maltese vanity | Francesca Balzan
We speak to Francesca Balzan, curator of ‘Vanity, Profanity & Worship: Jewellery from the Maltese Islands’, which will be on display at Casino Maltese, Republic Street, Valletta until May 26.
The aim of the exhibit
The exhibition is the latest offering of Fondazzjoni Patrimonju Malti (FPM): Fondazzjoni Patrimonju Malti (Maltese Heritage Foundation) was set up in January 1992 by a small group of individuals who were passionate about the islands' cultural heritage, and concerned about its welfare. It is a non-profit making organisation with the aim of spreading awareness of the island's extensive heritage locally and internationally, through museums, exhibitions and publications.
Early on in the Foundation's life it was decided that its aim would be best reached through the organisation of exhibitions of notable interest, with objets d'art from private collections that have never been previously viewed publicly. This is where Patrimonju's forte lies, in its ability to bring together these hidden treasures, staging them professionally in sumptuous surroundings, and making them accessible to the viewing public.
Patrimonju has already earned an enviable reputation for the spectacular exhibitions it has already organised in its relatively short existence.
Its latest exhibition - Vanity, Profanity & Worship: Jewellery from the Maltese Islands - continues the Patrimonju tradition. It has been designed completely in-house by Michael Lowell, CEO of FPM and is accompanied by a fully illustrated catalogue.
Its main aim is to reach out and familiarise the public with the history of jewellery as it unfolded in Malta, making the point that jewellery is an art which is worthy of preservation and exhibition and that the conservation and appreciation of jewellery should occur because it is so relevant and tells us so much about our history.
Nowadays we are being bombarded with adverts to trade in old gold for cash with the consequent risk that old, historically important pieces may be unwittingly consigned to the melting point and destroyed forever. It is hoped that this exhibition will make the point that the value of old jewellery is far more than its intrinsic value but is actually enriched further by its historical value.
Amassing the jewellery
Patrimonju's forte is in drawing out artefacts for display which are not normally available for viewing by the public. This entails much research and viewing of artefacts in private homes, church treasuries and State collections. This preparatory phase takes years and is crucial in order to select the best or most representative pieces which to include in the exhibition.
A wide time-span, a wide variety
The spread is wide. The earliest pieces are pre-historic and date to the Neolithic period (3,600-2,500 BC) and the latest pieces date to contemporary times.
The exhibition is organised thematically and takes the visitor along a route that explains the relevance and the place of jewellery in Maltese society.
Thus amulets and the superstitious wearing of them is explored; a room dedicated to early pieces which focuses of some exquisite baroque examples which are treasures being shown to the public for the first time, many of which attest to Maltese society's deep devotion to the holy; 19th century trends are explored, both in terms of material and style; traditional jewellery and the Maltese terms given to them are shown as are the richly gemmed pieces worn by the upper crust; Maltese filigree which was so deeply appreciated in the 19th century is showcased and the variety presented is remarkable; modern and contemporary pieces show the Maltese very much in touch with what happens internationally and collecting accordingly and the final section is dedicated to Andrew Grima, one of the most celebrated of international jewellery designers, who was descended from a Maltese family.
The 'target audience'
Everyone owns at least one piece of jewellery. It is the most personal and intimate form of art that one could possibly possess as it is worn against the body to embellish, to protect, to beautify or just to declare one's status. We all immediately understand this 'language' and therefore an exhibition which showcases the collecting habits and wearing of jewellery by the Maltese and why it was worn should potentially interest everyone.
The exhibition will be accompanied by a series of activities and workshops. Opening hours: 10:00 to 18:00 (Monday to Sunday; last entrance at 17:30); until 21:00 on Friday (last entrance at 20:00). Entrance fees are at €5 (adults);
€3 (senior citizens, 12-17 year olds, student youth card holders and groups of 10 and over). Children under 12 must be accompanied by an adult. For more information and a full programme of events, log on to Patimonju's website.